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When Eugene ONeill entered the theatre as a playwright, Broadway consisted mainly of musicals, melodramas and farces, with an occasional quality fair from Europe. For ONeill, the theatre was a very appropriate platform for serious ideas. He began by exploring not only difficult subjects, but also different dramatic styles. He became a major influence on the American Theatre. He used characters, which were thought to be fit only for novels the derelicts and downtrodden. But in his hands they became powerful. He took the ancient Greek tragedy techniques and blended them beautifully in his plays, providing a much-wanted depth in the American Theatre. As it is aptly said, "Before ONeill the United States had theatre: after ONeill, it had drama." |
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