Leonardo Da Vinci Leonardo Da Vinci
Leonardo Da Vinci

Leonardo Da Vinci
Leonardo Da Vinci
Milestones
Leonardo Da Vinci
Leonardo Da Vinci

Milestone

Milestone In Sculpture

Leonardo worked as a sculptor early in his life. In the introduction to his Treatise on Painting, he gives more importance to painting then sculpting. His love for sculpture never decreased. Verrocchio’s followers used to create small groups, which were labeled as Leonardo’s style because a lovely drawing on the same theme suggests such a connection.

A project involving the making of a huge bronze equestrian statue for Francesco Storza, on which he worked until 1494 never took off. Text and drawings, both show Leonardo’s knowledge in techniques of bronze casting. The project was impractical, as he wanted to cast the horse in a single piece, which was impossible looking at the gigantic proportions. Another project, which never reached completion, was the monument for Marshal Trivulzio on which he worked for five years from 1506-11. Leonardo’s style was copied everywhere. Rustici, according to Vasari was Leonardo’s zealous student and followed him closely.

Milestones In Architecture

Leonardo described himself as an experienced architect, military engineer and a hydraulic engineer in a letter to Ludovico Storza. He played the role of an advisor and consultant as far as architecture was concerned. The unique characteristic of Leonardo’s architectural studies was to include every type of building problem of his time. Only once, in the competition for the Cupola of the Milan Cathedral (1487-90) did he consider participation; but he gave up this idea when the model he had submitted was returned to him.

Some other clues that support Leonardo's claim to be a practicing architect, are the sketches for some secular buildings : the palace of a Milanese nobleman (around 1490), the Villa of the French governor in Milan (1507-08), and the Medici residence in Florence (1515). Finally there was his big project for the palace and garden of Romorantin in France (1517-19). Architectural drawings spanning through his life suggest precisely the developmentally crucial period in which architecture matured and became technically sound.

Milestones In Anatomical Studies And Drawing

The areas of study, which were dealt with by Leonardo always got interrelated with each other. One led to the development of the other. Thus, Leonardo’s study of anatomy helped him to create perfect figures with perfect expressions. He became fascinated by the figura instrumental dell’omo (‘man’s instrumental figure’) and he visualized it as a wonderful creation of nature. In his earlier part of studies, he paid attention to bones, muscles and the curves of the body. Later on, he got interested in the internal organs and the motor activity of the human body. He did dissection and practical work on the dissection table in the hospital of Sta Maria Nuova in Florence and Milan. He himself admitted of dissecting 30 corpses in his lifetime. The great picture chart of the human body was what Leonardo depicted as a Cosmografia del minor mondo (‘cosmography of the microcosm’).

Milestones In Mechanics And Cosmology

As an architect and an engineer, the study of mechanics came naturally to Leonardo. Throughout his life, he was an innovative builder and was familiar with the principles of mechanics. He always wanted to contribute to the existing channel of knowledge.

His book on the elementary theory of mechanics, published at the end of 1490s was discovered in the Madrid Codex 8937. The book was a lucid description of basic mechanical principles and functions employed in building machinery. The problem of friction and resistance attracted his special attention. Mechanical parts such as – screws, threads, gears, hydraulic jacks, swiveling devices, transmission gears are described at length. The pictorial description of the properties is more vivid than the written words.

He found mechanics and its principles in nature also. In his studies on the flight of birds, in which his youthful idea of the feasibility of a flying apparatus took shape, led to exhaustive research into the element of air. In his studies of water, the Venturale della natura (‘conveyer of nature’) he was ‘concerned with the laws of motion of water and water currents’. He went further and even studied whirlpools !

 

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