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From his very beginnings, Michelangelo found admiration : whatever he did amazed everybody. But most admired by his contemporaries were his Sistine frescoes. In most of his paintings all human standards seem to have been surpassed in aim and in form. In sculpture too, Michelangelo showed how the movements of bone and flesh can express spiritual urges.
In the last 22 years of his life Michelangelo finished none of his sculptures, in the last 14 no painting; but his fame continued to grow till the end. He worked in the spirit of the Renaissance and opened new vistas toward mannerism and the baroque.
Michelangelo’s patrons included, Popes, prominent Florentine families, the Florentine Cathedral, Flemish merchants, a French Cardinal and a French minister. Michelangelo’s simultaneous commitment to an impossible number of commissions inevitably meant that many were destined to remain incomplete, and others were never begun.
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